John Carter (2012)

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John Carter (2012)

(spoilers!)

John Carter is a decent, messy movie that throws too many things at the audience while offering too few really appealing aspects to make it worthwhile. It wasn’t as bad as I expected it to be but it certainly wasn’t really anything special either. The effects move from interesting to obvious, the acting is okay at best as no one really stands out, the plot is convoluted and the movie’s mood also alternates between pathos, comedy, action brawl and sci-fi standard. It is amazing yet again how a movie can be made for hundreds of millions of dollars, developed over decades and still leave such a little mark, not only in film history (besides being seen as a disastrous flop), but also for the audience. I can hardly imagine remembering much of this movie in a year or two.

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Future Template: Snowpiercer (2013)

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Future Template: Snowpiercer (2013)

In Future Template I want to look at stories that depict our future and analyze the pattern that most of them follow and what this tells us about our culture.

(spoilers ahead)

Snowpiercer is a fascinating and breathtaking science-fiction movie that has an intriguing premise which is explored to the fullest. The movie works so well because you feel how the filmmakers really dig into their idea, which makes the movie very rewarding since you never know what to expect next. From the outside it looks like some B-movie but the production values are excellent as the cinematography and the visual effects really work well. The acting is great, too, all the way through. Chris Evans might be at his best here, Tilda Swinton is just amazing, Ah-sung Ko is really good too and besides all the other great people here, Ed Harris and Alison Pill have short but very striking moments too. This is a fun, clever and exciting movie.

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Batman v Superman: Dawn of Justice (2016)

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Batman v Superman: Dawn of Justice (2016)

(spoilers!)

Batman v Superman: Dawn of Justice has an appropriately silly title for a movie that is so bad, it could easily work as an unintentional comedy or a drinking game or a thesis on how not to make a comic book movie. It is that bad, one of the worst movies I’ve seen in a cinema in a long time. Granted, I expected not to like it but had to see it anyway, mainly because its predecessor Man of Steel was one of the kickstarters for this blog. I’m not sure BvS:DoJ can solicit as deep an analysis as Man of Steel did, but there is plenty to discuss anyway. But let me stress one more time: this movie is really, really bad, worse than Man of Steel, incompetently bad and a really bad sign for DC’s attempt at creating a movie universe. And I say that as a confessing comic book and superhero fan. This movie is stupid, incoherent, annoying, laughable and boring. I’ll keep my bets on Civil War and X-Men: Apocalypse even more than before.

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Behind These Castle Walls, Part IV: Dumbo (1941)

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Behind These Castle Walls, Part IV: Dumbo (1941)

We're still in the 40s with our Disney movies and now we get to the famous elephant who is known for the slur everyone else uses for him. That is a good indication for the weirdness of this movie. It is a movie I had seen before. For its short runtime, it is not very entertaining and feels stretched anyway. It also does not have the same artistic skills the previous movies have shown.

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Spotlight (2015)

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Spotlight (2015)

(minor spoilers)

Spotlight is not your typical Best Picture Oscar-winner because it is not flashy or fancy, neither in its filmmaking nor its acting, but it is a really good and important movie. The performances are all great, nuanced and authentic with not one overpowering the others but simply being believable. Tom McCarthy is a director who doesn’t get enough credit for his style. There are scenes where the camera and the editing do very subtle things that are incredibly effective. The movie certainly takes its time but is never boring for a second because every scene has a purpose and adds to the overall picture and message. Some people call it “boring” or “old-fashioned”, which is not true in either case. It is a compelling piece of cinema that does exactly what it needs to do. I highly recommend it.

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Ex Machina (2015)

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Ex Machina (2015)

(spoilers)

Ex Machina fulfills the expectations I had after reading and hearing so much about it in the last couple of months. It continues Alex Garland’s streak of writing thought-provoking stories that challenge common perceptions we have about ourselves and our society. The movie uses amazing performances (Isaac, Vikander and Gleeson are all excellent), impressive visual effects and its gorgeous locations to generate a very effective movie that is intriguing from beginning to end. Just when you think it becomes too conventional it takes an extra turn at the end to become even more than we thought. It might not be an absolutely amazing movie (it’s not Looper), but it nevertheless is very good.

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It Follows (2014)

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It Follows (2014)

(spoilers)

It Follows is an incredibly unique horror movie that almost never does what you expect it to do and constantly challenges and surprises you. It is slow but scary, beautifully filmed and plays with genre conventions while still following the traditions of classic horror movies. That it accomplishes both is impressive all by itself. It is simply amazing to me that this small movie manages to get everything right, astounding cinematography (almost every shot could be framed, not unlike the amazing work of Gregory Crewdson), a fitting score, great performances and a compelling story that is just ambiguous enough to neither be frustrating nor too expository. I also love the unspecified setting, its mix of futuristic and 80s-nostalgia tones. It is a horror masterpiece for which you have to be ready because it’s dreamlike atmosphere is not for everyone. But it’s really, really good. It’s one of those debut movies where you feel every second that someone put all their efforts and passion into making exactly the movie they wanted to make, which turns out to be a great movie.

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Behind These Castle Walls, Part III: Fantasia (1940)

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Behind These Castle Walls, Part III: Fantasia (1940)

It’s been clearly too long since the last installment and I blame today’s movie for it. Fantasia is a difficult movie to approach because it has no larger story and is also not as well known today as all the other movies. Yet again, it is clearly a technological achievement with astonishing visuals and an unusual concept for its time, mixing animation, classical music and live action footage for what must have been really confusing to audiences in 1940. I had never seen it before but only the Fantasia 2000 sequel. I thought about talking about the original version that includes the racist scenes that have been removed since 1960 and while this is interesting, I decided not to because a) this problem is obvious and has been dealt with by Disney (with only a 20 year-delay) and b) I’m doing this to discuss the effects these movies still have today, so I might as well go with the current version. There are still enough issues to look at in this one and I can’t wait to move on to get to the next ones (of which there are still officially 53 left).

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Divergent (2014)

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Divergent (2014)

(spoilers!)

Divergent is exactly what you think it is: a second-rate Hunger Games with a similar story that’s less appealing and actors that are less interesting. It’s an incredibly silly movie that is still somewhat entertaining but filmed with a great lack of skill (other than its sequel Insurgent which is still silly, less entertaining but better filmed), especially in the last third where action sequences almost seem amateurish as the editing mostly renders them incoherent (can this movie really be edited by Se7en's Richard Francis-Bruce?). Only Kate Winslet somewhat elevates the material, if maybe only because it is refreshing to see her as a (spoiler!) villain. Still, it’s mostly a forgettable film where it is hard to believe that is stretched to another four movie series.

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Sleepaway Camp (1983)

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Sleepaway Camp (1983)

(spoilers ahead)

Sleepaway Camp is a perfect bad movie. It’s so ridiculous in anything it is doing that it is a constant joy to watch (if you enjoy bad movies of course). The acting is over the top or non-existent, every aspect of filmmaking is weird and the story doesn’t make any sense. But it’s fun! It’s a classic slasher movie with silly death scenes and the most logic-free plot you can imagine. On top of it all, the movie is incredibly sexist (in many ways) all the way to the insane ending. It is really incredible that this movie was a success and seemingly is still remembered fondly by people who saw it in the 80s. But there is nothing better for listening to funny people talk about it.

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The Revenant (2015)

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The Revenant (2015)

The Revenant is a breath-taking movie, a visceral experience that not many movies can provide and while it may not be super-deep (as some critics accuse it to be), it resonated deeply with me on a pure emotional and symbolic level. Leonardo DiCaprio gives a great performance, but then he always does, so a real surprise for me was Tom Hardy. His performance is impressive in the many layers he finds for his character and put him on my radar (where DiCaprio has been for a while already). But no review could ignore the director Alejandro González Iñárritu because the movie is really noteworthy for its amazing filming style. The incredible long takes, the beautiful shots of snow and forests and mountains and horizons, the savageness of many scenes and at the same time the courage to analyze how we depict others as savages. Emmanuel Lubezki must be one of the greatest cinematographers of our time and he would just with this movie and Children of Men alone (and I loved the similarities like the blood on the lenses). The score by Ryuichi Sakamoto (and many others) is great, even the visual effects work quite well for such a seemingly naturalistic movie. I loved it and wasn’t bored for a second of its 152 minutes, even if not that much happens.

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Honig im Kopf (2014)

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Honig im Kopf (2014)

Honig im Kopf, the most successful German movie of 2014, is a bit of a mess, trying to mix the trademarks of Til Schweiger’s other successes with a “serious” topic like dementia. One of the many problems of this movie is that few of these trademarks really work outside a pure comedy, neither the over-the-top slapstick nor the exaggerated characters nor his daughter’s weak acting nor the misogyny. Sure, Dieter Hallervorden’s acting is a pleasant surprise but the movie is working against him wherever it can. From the toilet jokes to the showcasing of guest actors to the insistence on songs with charts potential. But there is nothing that compares with the editing. The movie is easily one of the worst edited movies I have ever seen, coming close to real trash like Birdemic. How this happened is a total mystery to me. How anyone could have approved that and what the purpose was supposed to be, to have conversations with 1-second-takes, is totally baffling. It is a movie that annoys me the more I think about it.

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Joy (2015)

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Joy (2015)

(spoilers!)

Joy is simply and shortly disappointing. It’s always a problem if you have really high expectations for a movie, any movie, but how could you not with these names attached? With two movies as great as Silver Linings Playbook and American Hustle preceding them? But Joy never lives up to those energetic miracles and it’s hard to pin down what its problem is. It is incoherent in its mood, its message, its style. It wants too much and doesn’t know what it wants at the same time. Jennifer Lawrence is as amazing as she can be and even in bad movies I’d never get tired of watching her act. But this movie doesn’t work and it’s worse as failed potential than as an actual movie. Some of the acting by some actors is cringeworthy, the whole soap opera framing device is as dysfunctional as it is suddenly discarded and the structure of the script never achieves any kind of flow that this movie needs. The narration seems off, the ending is frustrating and Bradley Cooper’s role almost not necessary. Despite all of these (and many other) flaws, the movie is a collection of good parts that never add up. It’s one of the worst kinds of movies, the well-intended, ambitious mess that is worse because it could have been so good.

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Star Wars: The Force Awakens (2015)

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Star Wars: The Force Awakens (2015)

 (spoilers ahead!)

Star Wars: The Force Awakens is a really good movie. It has enough nostalgia to keep everyone happy who knows the world enough to enjoy it but delivers many new ideas to hold newcomers’ attention too. Especially the first half is extremely entertaining and well-written and while the movie slags a little bit (just a little) in its second half, it still never gets boring for a second. I was really impressed by the acting, especially the two new leads, Daisy Ridley and John Boyega, while I’m still not so sure about Adam Driver as Kylo Ren. There was at least one amazing long take that made me want to cheer along with Finn (Boyega) and overall J.J. Abrams’ directing was more than solid. I’m probably the most in love with John Williams’ score which is simply beautiful. I can’t really say anything bad about the movie. It’s endearing and enjoyable and fun while also being tragic. Coming out of the theater, I felt like watching it again, which doesn’t happen so often.

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Steve Jobs (2015)

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Steve Jobs (2015)

Steve Jobs is an excellent movie in every aspect. Its grounded in the clever screenplay by Aaron Sorkin who chooses an unusual structure and pulls it off better than anyone could have imagined. The other foundation of the movie’s success is Michael Fassbender in the title role. Fassbender is always brilliant but here he shows some facets I hadn’t seen before from him. Kate Winslet is amazing too in an interesting role. Danny Boyle’s direction also helps to keep the film entertaining, with unusual camera angles, different film stock and a fascinating color scheme. The movie is not realistic or authentic, but one of its charms is that it is fully aware of that and never claims to be. It breaks a lot of rules that normal Hollywood movies tend to follow and proves that sometimes that’s the right way to go. I mean, I’m not a big Apple fan (to put it mildly) and I have a hard time admiring Steve Jobs, but none of this stopped me from enjoying the movie so much, which proves how successful it is in telling a compelling, intelligent story.

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Noah (2014)

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Noah (2014)

Noah is a movie that has a certain fascination with it, but ultimately fails, but mostly ideologically. Cinematically, it is often impressive but also gets lost in CGI and awkward plot threads. It has an unusual protagonist that is very hard to like, which makes it a perfect role for Russell Crowe. The movie is… I don’t know, it certainly has its appeal and you can see some of the interesting thoughts that went into it, also not trying to make it a dumb faith-movie (it really isn’t) and treating it simply as a compelling story. But for whatever reason, the movie doesn’t really work. As a fan of Darren Aronofsky this is hard to watch even if you see his touches here and there. But in the end, my biggest problem with the movie is its message, which I’ll further analyze below.

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3 Months of Movies (VI)

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3 Months of Movies (VI)

It’s that time of the year again, the time for reflecting upon the movies I’ve watched in the last three months. It was a weird time because it also covers the summer holidays during which I watched a crazy amount of movies at home and at the cinema, but since the holidays are over and school has started I barely watched anything. I’m not sure how this will pan out in the statistics but I remember that I was thinking during summer that I might break a record for watching the most movies in that timespan and now I know this will definitely not be the case. But who cares about records anyway? I only care about statistics.

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Behind These Castle Walls, Part II: Pinocchio (1940)

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Behind These Castle Walls, Part II: Pinocchio (1940)

For the second movie in my Disney series we get to the second animated full-length feature which is Pinocchio, released in 1940. I’d say as a movie it’s not as well known as some of the other Disney movies, while still pretty popular. Just as Snow White it is a well-made movie with great animation and interesting, creative set pieces. The story, based on a novel, was changed significantly and is at least as problematic as Snow White’s, in my opinion. While many themes are similar, some new ones are also introduced. But let’s get to the analytical details of this one, it won't be short.

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